Dubai 360 – interactive 360 degree timelapse experiences

Dubai 360

http://dubai360.com/

This amazing project is employing 360 timelapse imagery into interactive experiences available from anywhere in the world.  (a project launched by Sheikh Hamdan back in August)

Fascinating…

Dubai360 was shot with four perfectly synchronized Canon 1Dx cameras.

Lenses on the cameras were Canon EF 8-15mm f4 L USM fisheye zooms.

Over 88,000 photographs were taken over the course of the 30 hours of shooting, with one set of photographs being taken every 5 seconds.
22K Panoramas. These photographs were then stitched using Kolor Autopano Video into 22,000 separate panoramas to create the source frames for the video you can experience above.
and for the ultimate wow, look at this footage of Sheikh Hamdan standing on top of the Burj
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Leap Motion, a first look

There are a few different ways to use gesture to control, rather than a physical button pressing controller.

The Leap Motion is a lovely little device, and promises much.

 

 

Leap Motion

Leap Motion

Leap Motion next to a pen so you can see the size

Leap Motion next to a pen so you can see the size

Leap Motion

Leap Motion

I wanted to see if it could deliver it’s claim of a new way of interacting with the world.

The first thing after unboxing was to have a play in the recently updated Leap Motion playground with some of the v2 apps.

As you can see from the video it’s amazing when it works, how intuitively it takes your hand movements and interpret them into a 3D space, when you can pick up and play with virtual objects.

The Leap Motion getting started zone

The Leap Motion getting started zone

But almost as soon as I’m out of the ‘playground’ area I stumble over the recurring problem of coding the damn thing, not even that, I have to choose my language… Where’s the helpful button that says, don’t know which coding environment to use because it scares you witless? Click here and we’ll help .

I have no idea which development environment I’m going to be able to manage with, but I am always willing to have a look if I get a bit of help.

This is quite a common theme to trying to make art interactive, the code behind the technology is almost prohibitive and I know from experience that you can go so far down the complex track of coding, only to discover that actually, it would have been better to do it a different way, in a different code environment, but not being a coder this is tricky. I envy the guys at Aparna Rao as they have tech guys who turn their ideas into reality by looking after the backend, whilst they create…

But back to the Leap, I have to dive into the code, so I plump for the Javascript option, hoping that my small amount of flash scripting might help.

to be continued…

 

Fringe Festival Wrap-up

I really enjoyed being part of the fringe and even though my installation was a labour of love to go and start and close each day, it did have it’s benefits…

At the end of the show day when I would close down, I could shut of all of the lights and sounds from other artworks and really immerse myself in the sound that I had created, it was peaceful, refreshing and a pleasure to have the wonderful acoustics working for my piece and indulge my senses with my installation in the secret place under the War Memorial in Norwich, all to myself.

I took a short video clip from one of the last days as I wanted to preserve the space’s wonderful impact on my piece.

and a lovely roundup from Rosie Cooper of all the artworks on show.